For David Browne, winning The Florida Orchestra’s Student Composition Contest was a dream come true. “Shattered Clock Fanfare is a musical depiction of a recurring dream I had as a child wherein I was forever lost in a universe where time never existed,” said Browne, 22, in his artist statement on the short work, which premieres on the Beethoven’s Pastoral Symphony concert May 18-20.
From the moment you walk into the Straz Center on Friday, Florida will come to life through art and music. Fourteen works of art, all inspired by Florida, will be displayed in the Morsani lobby by the Life Enrichment Center for the Arts (LEC).
To say the earth will tremble this weekend when The Florida Orchestra stages Verdi’s Requiem seems a bit dramatic. But that’s Verdi for you.
Located 30 miles north of Prague, Terezin/Theresienstadt was turned into a Jewish ghetto and concentration camp by the Nazis after their occupation of Czechoslovakia. The camp was unusual in that inmates included highly educated Jewish scholars and scientists as well as internationally renowned artists, musicians and actors including Czech composer Rafael Schächter and the famous German rabbi Leo Baeck.
In classical music, it can be easy to overlook the influence of women. Beethoven! Mozart! Tchaikovsky! But now more than […]
You know you’re getting old when you find in a desk drawer a ticket stub to the opening of The Florida Orchestra’s 1981-82 season.
Eighteen years ago, I spent an afternoon at the Brandon home of Michael Ippolito, where he sat at the piano talking about his newly composed Rhapsodie Pathetique. He played a passage and looked at me, confidently. “I’m the piano,’’ he said, “and the orchestra is the world.’’
Expecting a bit of a letdown after our grand 50th anniversary celebration? Don’t. Music Director Michael Francis has put an enormous amount of thought into programming every concert in our most wide-ranging season yet, which starts in the fall. “It’s our first chance to show where we’re going as an orchestra in our new era,” he said.
Dorothy Hindman isn’t your typical classical composer. Her music is fearless, post-modern, tightly wound, sometimes digital, punctuated with punk, and always ear-opening. Music critics describe her compositions as visceral, profound, spectral. Some works cascade into a state of entropy, like a swirling black hole in deep space.
A little more than a week before rare performances of Janacek’s Sinfonietta, TFO Personnel Manager Perry Landmeyer was in a bit of a panic. The piece calls for 12 trumpet players, instead of the typical three or four. Suddenly, he was one short.