This TFO violinist’s house is filled with more cats than music. Find out why today on the TFO blog.
About TFO Staff
In between concerts, rehearsals and doughnut runs, The Florida Orchestra staff writes, edits and maintains this blog. Questions? Email us at firstname.lastname@example.org.
Entries by TFO Staff
When Meghan Lance took over as the orchestra director at Thurgood Marshall Fundamental Middle School, she had her work cut out for her. “I remember my first year thinking that the orchestra sounded like The Sister Act choir of orchestras. They were all playing at different times, horribly out of tune, I was like, ‘What is happening?!’“ Mrs. Lance said.
On Nov. 9, 1938, the Nazis unleashed a wave of pogroms, state-sponsored terrorism, against the Jews in Germany and Austria. Within a few short hours, thousands of synagogues, Jewish businesses and homes were damaged or destroyed.
This weekend The Florida Orchestra’s “Quilting Violinist,” Linda Simon Hall, will be a celebrity judge at a quilt show put on by the Peacemakers Quilt Guild of Brandon. It’s aptly themed “A Symphony of Colors.”
This week is The Florida Orchestra’s first-ever Pride Weekend, celebrating Tampa Bay’s vibrant LGBTQ community with the music of Bernstein’s Broadway (Oct. 5-6), conducted by Michael Francis.
John Shaw never tires of his top concert pick of the season – which percussionists know well from auditions. Today on the TFO Blog.
Flute/piccolo player Sandra del Cid-Davies has a way of getting to the heart of her 5 concert picks for the season: “The Beethoven will triumph and the Rachmaninoff will sweep audiences off their feet.”
Jeffrey Stephenson’s top concert picks are two stellar programs. Tip: If you hear someone singing from the orchestra, look at the English horn player.
I can easily say I’m most excited about the Masterworks concert in which I’m soloing on Anna Clyne’s The Seamstress. Clyne’s music is expansive and haunting in general.
My first concert as a principal timpanist was with the Anchorage Symphony in February 1970 celebrating the bicentennial of Beethoven’s birth. The program in 1970 was Egmont Overture and the Fifth and Seventh symphonies, a program that would challenge me now.