Like many American kids growing up, Kevin Wilt dreamed of being a superhero. One day he was Batman, jumping across skyscrapers as crowds on the streets looked up in awe. The next day he was Spider-Man, spinning a web of intrigue over the city skyline.
In just one week, The Florida Orchestra performed for nearly 30,000 people — almost all for free. It was an exhilarating, exhausting run as musicians and staff, led by Music Director Michael Francis, traveled to Pasco County, Tampa and St. Petersburg for hospital, youth, side-by-side and park concerts.
This just might be the most intriguing title of a work in the entire Florida Orchestra season: Horizon Gravy. Sounds delicious, but what does it mean? We asked Paul Reller, a University of South Florida associate professor of music who composed the piece as part of TFO’s Florida Fanfare Project to celebrate its 50th season.
Brace yourself for the boom of cannons, when The Florida Orchestra lights the fuse on Tchaikovsky’s rousing and riotous fanfare, the 1812 Overture.
Starting this Thursday, you can hear a full Florida Orchestra concert on Tampa Bay’s classical radio station WSMR. And it’s a doozy: the phenomenal performance of Carmina Burana recorded live on opening night little more than a week ago.
When Florida Orchestra Principal Percussionist John Shaw first saw the GEICO “Triangle Solo” commercial on TV, his wife said, “Don’t do that onstage.”
She should have known better.
By Erin Horan TFO Community Engagement Director This Saturday, The Florida Orchestra horn section will do two performances of The […]
For the first time in more than four decades, The Florida Orchestra has a new principal clarinet on stage. Meet Natalie Hoe, 23, who makes her debut this weekend when TFO opens its 50th anniversary season with Carmina Burana. This is Hoe’s first professional position, which she was awarded…
In last weekend’s concerts of Harry Potter and the Sorcerer’s Stone, Principal Flute Clay Ellerbroek and Assistant Principal Flute Daphne Soellner performed partly on recorders. And they will again on the just announced second movie, Harry Potter and the Chamber of Secrets. They didn’t have to; the parts were optional. So why go to all the trouble? Ellerbroek explains.
It might be the most popular piece of classical music you’ve never heard of. Such is the fate of Carmina Burana, a rousing and exotic work for chorus and orchestra by the German composer Carl Orff, who would be blown away by how his lone masterpiece has populated popular culture.