The Florida Orchestra

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Michael Francis, Music Director

The Jay B and Marsha Starkey Chair

Michael Francis has quickly established himself as an international conductor, forging collaborations with the world’s leading orchestras. Known for maintaining a diverse repertoire while paying particular homage to the composers of his native Britain, Francis enjoys a great reception throughout North America, Europe and Asia.

The beginning of the 2015/16 season marks Francis’ start as Music Director of The Florida Orchestra, just months after his first period in San Diego as Music Director of the Mainly Mozart Festival. Francis also enters his fourth season as Chief Conductor and Artistic Advisor to Sweden’s Norrköping Symphony Orchestra.

This season, Francis returns to the Houston, Indianapolis and New World symphonies, and will debut at The Cleveland Orchestra’s Blossom Festival. In Europe, Francis returns to the BBC Philharmonic, Lausanne Chamber Orchestra, and Nordwestdeutsche Philharmonie and makes his debut with the BBC Scottish Symphony and Gurzenich Orchestra, Cologne. He pays special attention to choral works in his programing this season, leading The Florida Orchestra for Rachmaninoff’s The Bells, and Brahms’ A German Requiem, and in Norrköping he will perform Handel’s Messiah and Haydn’s Creation.

Francis’ guest appearances include the New York and Royal philharmonics and the symphonies of Toronto, Seattle, Milwaukee, and Vancouver. He enjoyed recent return engagements with the BBC National Orchestra of Wales, RTÉ National Symphony of Dublin, Ulster Orchestra, Dresden Philharmonic, and the symphonies of Oregon, Cincinnati, Ottawa and Pittsburgh. His European engagements have included the London Symphony, English Chamber Orchestra, BBC Philharmonic, Orquesta Sinfónica de RTVE Madrid, Helsinki Philharmonic, Mariinsky Orchestra, Orchestre Philharmonique de Monte-Carlo, and Stuttgart Radio Symphony. Last season in Asia, Maestro Francis debuted with the NHK Symphony, and he regularly appears with the Malaysian and Seoul philharmonics.

Working with young musicians has always been a priority for Maestro Francis. Aside from a six-city July, 2015 Canadian tour with the National Youth Orchestra of Canada, Francis makes annual visits to Miami’s New World Symphony and recently performed with the National Youth Orchestra of Scotland.

After several years as a chaired double-bass player in the London Symphony, he came to prominence as a conductor in January 2007, replacing an indisposed Valery Gergiev for concerts with the LSO during the BBC’s Gubaidulina festival at the Barbican Centre. Just one month later, Francis was asked, this time with only two hours’ notice, to replace the composer/conductor John Adams in a performance of his own works with the LSO at the Philharmonie Luxembourg, and soon after in January 2009, he replaced André Previn leading a German tour of the Stuttgart Radio Symphony.

Soloists that he works with include Lang Lang, Arcadi Volodos, Christian Tetzlaff, Anne-Sophie Mutter, Vadim Gluzman, Nicola Benedetti, Baiba Skride, Jamie Barton, Alisa Weilerstein, Truls Mørk, Håkan Hardenberger, Daniel Müller-Schott, MiloÅ¡ and Rufus Wainwright.

Michael Francis has recorded several albums, the most recent of which is the complete Rachmaninoff piano concertos for Decca Records in 2013.

Francis makes his home outside of Tampa, FL with his wife Cindy and one-year-old daughter Annabella.

For more information, please visit


Jeff Tyzik, Principal Pops Conductor

GRAMMY Award winner Jeff Tyzik is one of America’s most innovative and sought after pops conductors. Tyzik is recognized for his brilliant arrangements, original programming and engaging rapport with audiences of all ages. Tyzik holds The Dot and Paul Mason Principal Pops Conductor’s Podium at the Dallas Symphony Orchestra and also serves as Principal Pops Conductor of the Seattle Symphony, the Detroit Symphony, the Oregon Symphony and The Florida Orchestra. This season, Tyzik will celebrate his 22nd season as Principal Pops Conductor of the Rochester Philharmonic Orchestra.

Frequently invited as a guest conductor, Tyzik has appeared with over fifty orchestras including the Boston Pops, Cincinnati Pops, Milwaukee Symphony, Pittsburgh Symphony, Toronto Symphony, Indianapolis Symphony, Philadelphia Orchestra, Los Angeles Philharmonic, Orchestre Philharmonique de Monte Carlo, Malaysian Philharmonic Orchestra and the Royal Scottish National Orchestra.

In May 2007, the Harmonia Mundi label released a recording of works by Gershwin with Tyzik conducting the RPO and acclaimed pianist Jon Nakamatsu. This recording stayed in the Top 10 on the Billboard classical chart for over three months. Alex Ross of The New Yorker, called it “one of the snappiest Gershwin discs in years.” “His concert is the kind of thing that’s likely to give classical music a good name, perhaps even make it seem, dare I say, relevant,” writes John Pitcher of the Gannet News Service.

As an accomplished composer and arranger, Tyzik has had his compositions recorded by the London Symphony Orchestra, Erich Kunzel and the Cincinnati Pops Orchestra, the Rochester Philharmonic Orchestra, the Vancouver Symphony and Doc Severinsen with the Royal Philharmonic Orchestra in London. He has also produced and composed theme music for many of the major television networks, including ABC, NBC, HBO, and Cinemax, and released six of his own albums on Capitol, Polygram and Amherst Records.

Tyzik worked closely with Doc Severinsen on many projects including orchestrating many of the great band leader’s symphony orchestra programs. He produced a GRAMMY Award winning album, The Tonight Show Band with Doc Severinsen, Vol. 1. Tyzik’s subsequent recordings with Severinsen garnered three more GRAMMY nominations.

In his twenty-two years with the Rochester Philharmonic Orchestra, Tyzik has written over 200 arrangements, orchestrations and compositions for orchestra. A consummate musician, Tyzik regularly appears as a guest conductor in the orchestra’s classical subscription series. He has also been commissioned to compose original works for orchestra, including a Trombone Concerto, which was funded by a grant from the National Endowment of the Arts and subsequently performed at Carnegie Hall. Tyzik conducted the world premiere of his original work New York Cityscapes with the Royal Scottish National Orchestra in 2010. Tyzik composed a Timpani Concerto, commissioned by the RPO, and also led the RPO in the premiere of his new orchestral suite, “Images: Musical Impressions of an Art Gallery” to rave reviews. In the 2015/16 season, Tyzik will premiere his new work “Jazz Concerto for Violin and Orchestra” on his Philharmonic Series performance with the Rochester Philharmonic Orchestra.

A native of Hyde Park, New York, Tyzik began his life in music when he first picked up a cornet at age nine. He studied both classical and jazz throughout high school and went on to earn both his Bachelor’s and Master’s degrees from the Eastman School of Music. While there, he studied composition/arranging with Radio City Music Hall’s Ray Wright and jazz studies with Chuck Mangione. Tyzik subsequently toured with Mangione as lead trumpet and worked on five Mangione recordings as a producer and performer from 1976 to 1981.

Committed to performing music of all genres, Tyzik has collaborated with such diverse artists as Chris Botti, Matthew Morrison, Wynonna Judd, Tony Bennett, Art Garfunkel, Dawn Upshaw, Marilyn Horne, Arturo Sandoval, The Chieftains, Mark O’Connor, Doc Severinsen and John Pizzarelli. Tyzik has created numerous original programs that include the greatest music from jazz, classical, Motown, Broadway, film, dance, Latin and swing.

For more information about Jeff Tyzik, please visit



Stuart Malina, Principal Guest Conductor

Now in his sixteenth season as Music Director and Conductor of the Harrisburg Symphony Orchestra, Maestro Stuart Malina has built a reputation for orchestra building and multi-faceted versatility. In a wide variety of concerts, from masterworks and grand opera to pops, Maestro Malina’s ease on the podium, engaging personality, and insightful interpretations have thrilled audiences and helped to break down the barriers between performer and listener wherever he has worked. Maestro Malina was previously music director of the Greensboro Symphony Orchestra (1996-2003), and associate conductor of the Charleston Symphony Orchestra (1993-97).

In 2013, Maestro Malina was appointed principal guest conductor of The Florida Orchestra, leading nine concerts each season, including the orchestra’s highly acclaimed Coffee series. He conducted last February at the Jacobs School of Music at Indiana University and will return in January 2014. Last summer he conducted at the Sarasota Music Festival and returned for the fifth time to conduct the Chautauqua Institution Orchestra. He made his Carnegie Hall debut in February of 2007, conducting the New York Pops in an all-Gershwin tribute including Rhapsody in Blue, which he conducted from the keyboard, and returned to Carnegie and the Pops in October of 2007. He has recently performed with the symphony orchestras of Hong Kong, Naples, New Mexico, Tampa/St. Petersburg, Fresno, Charleston and Greensboro. Maestro Malina has had multiple engagements with the Indianapolis Symphony Orchestra, as well as the Eastern Music Festival, at which he conducted the world premiere of Billy Joel’s Symphonic Fantasies for Piano and Orchestra. In 2006, he debuted with the Pittsburgh Symphony Orchestra, and in 2007 with the Naples Philharmonic, after which he was reengaged for concerts in 2008 and 2009. He led the Shippensburg Festival Orchestra for three seasons, the second time performing with violinist Joshua Bell for a broadcast on PA Public Television. He has also appeared with the Detroit Symphony Orchestra, Buffalo Philharmonic Orchestra, Orchestra of St. Luke’s (NY), Kansas City Symphony, Youngstown Symphony, AIMS Festival Orchestra (Graz, Austria), North Carolina Symphony Orchestra, Louisville Orchestra and Queens Symphony Orchestra.

On the opera podium Maestro Malina’s recent production engagements include Opera Delaware (Porgy and Bess), Piedmont Opera (Massenet’s Manon) and Greensboro Opera (Il barbiere di Siviglia). He will return to Opera Delaware this coming spring. He has also conducted many operas in concert, including La Bohème, Tosca and several Gilbert and Sullivan operettas. He has conducted several ballets as well, with the Charleston Ballet and with Central Pennsylvania Youth Ballet.

In May of 2008, Maestro Malina, with several members of the Pittsburgh Symphony Orchestra, spent 11 days in residence at the Tianjin Conservatory of Music in Tianjin, China, conducting the orchestra and coaching and performing chamber music. He also served as visiting conducting faculty at Penn State University for the fall semester of 2008.

In 2009, Pennsylvania Public Television awarded Maestro Malina with the Joanne Rogers Award for contribution to the artistic life of Pennsylvania, and in 2010, he was given the Jump Street Spectrum Award for excellence in the arts. He was honored by Lebanon Valley College in 2012 with the Founders Day Award, and received that same year The Award for Distinguished Service to the Arts from Theater Harrisburg. This past year he received Leadership Harrisburg’s Platinum Award for Servant Leadership.

An accomplished pianist, Maestro Malina has impressive credits as soloist and chamber musician. He has performed concertos in Harrisburg, Greensboro, Charleston, New York and Chautauqua, most often conducting from the keyboard. His recent chamber music activities include performances in Indiana (Music at Shaarey Tefilla and at the Jacobs School of Music); annual performances for the Market Square Concert series, collaborating with the Jasper Quartet, Fry Street Quartet, Enzo Quartet, Dorian Wind Quintet, and oboist Gerard Reuter; presentations of Messaien’s Quartet for the End of Time on the Linton Series in Cincinnati; and recitals with violinist Alexander Kerr and cellists Zvi Plesser and Daniel Gaisford. He has been frequently engaged for the Music for a Great Space series in North Carolina and was director of the acclaimed Piccolo Spoleto Contemporary Music Festival from 1993 to 1995.

As a composer and arranger, Maestro Malina has created dozens of orchestral works, ranging from entire pops shows to works for symphony orchestra.  His most recent composition, Brahms Fan Fare, received its world premiere by the Harrisburg Symphony Orchestra in May of 2011.

Maestro Malina’s activities also extend to Broadway. In June 2003, he won the Tony award for orchestration with Billy Joel for the musical Movin’ Out, which Malina helped create with director/choreographer Twyla Tharp. He has served as music supervisor for every production of the show, both in the United States and in London. Maestro Malina has also served as associate conductor of the national touring company of West Side Story and as conductor of the Charleston production of Porgy and Bess with performances throughout the United States, Canada, and at the Israel Festival in Caesarea. He has also directed the music for over twenty musical theater productions. In 1995, in a strange turn of events, Malina appeared on stage, acting opposite Broadway legend Zoe Caldwell in Terrence McNally’s Tony-winning drama Master Class for its run at the Kennedy Center in Washington, DC.

Maestro Malina holds degrees from Harvard University, the Yale School of Music, and the Curtis Institute of Music, where he studied conducting with Otto-Werner Mueller. He studied piano with Drora and Baruch Arnon and with Keiko Sato.

For more information about Stuart Malina, please visit


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